EDUCATION
P.EON GRAPHIC ACADEMY
22’ Semester Curriculum
March 21–September 4, 2022
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The second edition will compile the curriculum from 2021, focusing on training with structuralist theory and contemporary art methods, while adding an implementation-based unit. The program invites a number of designers with distinctive creative forms to share their respective core approaches to design into methodologies that students can understand and recreate with flexibility. Lastly, the curatorial method will be used to analyze the relationship and significance of the students' organizational forms.
1.
ESSENCE OF GRAPHIC DESIGN (ELEMENTARY)
Mar 21–Apr 29, 2022
Planner: Hsing-Kai Peng.
I.
Documentation of Sketches
II.
Geometries and Shapes
III.
The Symbolic of the Graphics
IV.
Languages of Color
V.
Aesthetic Fundamental Theory
VI.
Shapes of Type
VII.
Composition and Visual Psychology
VIII.
Unspeakable Language
IX.
Photography and Image
X.
Practice of Printing
ESSENCE OF GRAPHIC DESIGN (ELEMENTARY)
Mar 21–Apr 29, 2022
Planner: Hsing-Kai Peng.
I.
Documentation of Sketches
II.
Geometries and Shapes
III.
The Symbolic of the Graphics
IV.
Languages of Color
V.
Aesthetic Fundamental Theory
VI.
Shapes of Type
VII.
Composition and Visual Psychology
VIII.
Unspeakable Language
IX.
Photography and Image
X.
Practice of Printing
2.
INSPIRATION OF SENSIBILITIES & EXPERIMENTAL INTERPRETATION
Apr 16–Jun 25, 2022
Convener and planner: YuehYueh Liu.
Lecturer: YuehYueh Liu, Gao Xiao Gao, Prasadini, WANG Chia-ming, Huai-An Hsing.
I.
Abstract Sketches
II.
Expression of Movements
III.
Object and Space
IV.
Paint above Vision
V.
Interpretations of Sound
VI.
Emotions
VII.
Interpretation of Cognitions
VIII.
Depiction above Tactil
IX.
Perception of Time
X.
Meditation–Spiritual Perceptions
INSPIRATION OF SENSIBILITIES & EXPERIMENTAL INTERPRETATION
Apr 16–Jun 25, 2022
Convener and planner: YuehYueh Liu.
Lecturer: YuehYueh Liu, Gao Xiao Gao, Prasadini, WANG Chia-ming, Huai-An Hsing.
I.
Abstract Sketches
II.
Expression of Movements
III.
Object and Space
IV.
Paint above Vision
V.
Interpretations of Sound
VI.
Emotions
VII.
Interpretation of Cognitions
VIII.
Depiction above Tactil
IX.
Perception of Time
X.
Meditation–Spiritual Perceptions
3.
CONTEMPORARY IMAGES AND PHOTOGRAPHY EDITING
Sep 6–Nov 24, 2022
Planner: Yi-Ting Zhong, Convener: Hsing-Kai Peng.
Lecturer: I-Hsuen Chen, Yi-Ting Zhong, Monbo Key, Hsiang-Lin Wang
I.
Towards a Philosophy of Images
II.
Introduction: Linear and Non-Linear Narrative
III.
Editing Implementation: Photograph Editing
IV.
Strategy of Image Creating
V.
Era and Image, Daily and Object
VI.
The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
VII.
The Metaphorical Relationship between Films and Visuals
VIII.
The Impetus of Underground Culture and Contemporary Visual
IX.
Deconstruction and Discussion
X.
Time, Place, and Memory
XI.
Language of Images
XII.
Editing and Discussion
XII.
Poet of Space
CONTEMPORARY IMAGES AND PHOTOGRAPHY EDITING
Sep 6–Nov 24, 2022
Planner: Yi-Ting Zhong, Convener: Hsing-Kai Peng.
Lecturer: I-Hsuen Chen, Yi-Ting Zhong, Monbo Key, Hsiang-Lin Wang
I.
Towards a Philosophy of Images
II.
Introduction: Linear and Non-Linear Narrative
III.
Editing Implementation: Photograph Editing
IV.
Strategy of Image Creating
V.
Era and Image, Daily and Object
VI.
The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
VII.
The Metaphorical Relationship between Films and Visuals
VIII.
The Impetus of Underground Culture and Contemporary Visual
IX.
Deconstruction and Discussion
X.
Time, Place, and Memory
XI.
Language of Images
XII.
Editing and Discussion
XII.
Poet of Space
4.
PRACTICAL GRAPHIC DESIGN (INTERMEDIATE)
Jul 24–Sep 4, 2022
Convener: Hsing-Kai Peng.
Lecturer: Shuyu Tsai, Paixpro, Andrew Wong, Mist Room, Yaode JN, Chen-Huang Chian, Hsin Feng.
I.
Proust moment
II.
Gaze & ResonateGaze & Resonate
III.
Type Reshaping
IV.
Symbolic Transformation of Multimedia
V.
Light & Illusion
VI.
Deconstruct & Reconstruct
VII.
Curating: Context & Form
PRACTICAL GRAPHIC DESIGN (INTERMEDIATE)
Jul 24–Sep 4, 2022
Convener: Hsing-Kai Peng.
Lecturer: Shuyu Tsai, Paixpro, Andrew Wong, Mist Room, Yaode JN, Chen-Huang Chian, Hsin Feng.
I.
Proust moment
II.
Gaze & ResonateGaze & Resonate
III.
Type Reshaping
IV.
Symbolic Transformation of Multimedia
V.
Light & Illusion
VI.
Deconstruct & Reconstruct
VII.
Curating: Context & Form
5.
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
Jul 1–Sep 2, 2022
Convener and planner: Hsing-Kai Peng.
Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen, Mist Room, Paixpro, Sample Animal, Ting-An Ho, Huai-An Hsing.
I.
Cultural Inheritance and Thought Colonization
II.
Philosophical Aesthetics of Graphic Design
III.
Context of Form 1. Digital Experience Integration of Graphic Design
IV.
Context of Form 2. Sense of Light
V.
Context of Form 3. Observe & Resonate
VI.
Context of Form 4. Trace
VII.
Context of Form 5. Ephemerality
IX.
Deconstruction and Collection of Life Experience
X.
Subject and Object
XI.
Planned Collection
XII.
Identity and Multidirectionality
XIII.
Emotion and Image
XIV.
Color of Space–
Interpretation and Individual
XV.
Space Modeling and Sampling
XVI.
Projection and Composition
XVII.
Midterm Assessment
XVIII.
Deconstruction of Styles and Forms
XIX.
Worldview Setup
XX.
Social Positioning and Language Strategy
XXI.
Practice: Context and Interpretation
XXII.
Dialectics of Thought and Self-questioning
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
Jul 1–Sep 2, 2022
Convener and planner: Hsing-Kai Peng.
Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen, Mist Room, Paixpro, Sample Animal, Ting-An Ho, Huai-An Hsing.
I.
Cultural Inheritance and Thought Colonization
II.
Philosophical Aesthetics of Graphic Design
III.
Context of Form 1. Digital Experience Integration of Graphic Design
IV.
Context of Form 2. Sense of Light
V.
Context of Form 3. Observe & Resonate
VI.
Context of Form 4. Trace
VII.
Context of Form 5. Ephemerality
IX.
Deconstruction and Collection of Life Experience
X.
Subject and Object
XI.
Planned Collection
XII.
Identity and Multidirectionality
XIII.
Emotion and Image
XIV.
Color of Space–
Interpretation and Individual
XV.
Space Modeling and Sampling
XVI.
Projection and Composition
XVII.
Midterm Assessment
XVIII.
Deconstruction of Styles and Forms
XIX.
Worldview Setup
XX.
Social Positioning and Language Strategy
XXI.
Practice: Context and Interpretation
XXII.
Dialectics of Thought and Self-questioning
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Copyright © 2022 Taipei Art Direction & Design Assoc. All rights reserved. Website designed and developed by Yaode JN︎︎︎. Translation by Sean Gaffney. Running on Cargo︎︎︎.
Copyright © 2022 Taipei Art Direction & Design Assoc. All rights reserved. Website designed and developed by Yaode JN︎︎︎. Translation by Sean Gaffney. Running on Cargo︎︎︎.
Copyright © 2022 Taipei Art Direction & Design Assoc. All rights reserved. Website designed and developed by Yaode JN︎︎︎. Translation by Sean Gaffney. Running on Cargo︎︎︎.
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