P. EON GRAPHIC DESIGN ACADEMY

P. Eon 圖形設計學院

TPadd assoc. We cooperated with XUEXUE to open the P. Eon Graphic Design Academy in 2021. It is a full-year aesthetic training program focusing on visual communication, planning art and design courses to integrate internationally. We attach importance to whether the characteristics of the students can be applied to the work and practice in the work. Provide a learning environment for workers who aspire to become better design and art professionals.

臺北設計與藝術指導協會於 2021 年與學學合作開設 P. Eon圖形設計學院,是專注於視覺溝通的全年度美學培訓計畫,以接軌國際為目的規劃藝術與設計教程。我們重視學員特質是否能落地於作品、實踐於工作。提供志向成為更好的設計與藝術專業人士的工作者學習環境。

FW 2021
Second Semester Curriculum 下半學年課綱
4.
Flat Color and Graphic Design
     From basic modelling to graphic creation, viewing colours, proportion configuration and other practical exercises.

     I.
     Graphics Application
1. (22/9/2021, Lecturer: Hsien Chen Tsai. (Paixpro))
2. (28/9/2021, Lecturer: Hsien Chen Tsai. (Paixpro))
     II.
     Color Application
1. (24/9/202, Lecturer: Hsien Chen Tsai. (Paixpro))
2. (30/9/2021, Lecturer:  Hsien Chen Tsai. (Paixpro))
     III.
     Image Communication Workshop
(2/10/2021, Lecturer: Hsien Chen Tsai. (Paixpro))
4.
平面色彩與圖形設計
     從基礎造型到圖形創造、觀看色彩、比例配置等實作演練。

     I.
     圖形應用
1. (22/9/2021,蔡賢臻 (和平製品) 授)
2. (28/9/2021,蔡賢臻 (和平製品) 授)
     II.
     色彩應用
1. (24/9/2021,蔡賢臻 (和平製品) 授)
2. (30/9/2021,蔡賢臻 (和平製品) 授)
     III.
     圖像溝通戰鬥營
(2/10/2021,蔡賢臻 (和平製品) 授)
5.
Motion Graphics and Visual Narration
     Integrate concepts, technologies, directors and screenwriters, art, proposals, etc., to complete multiple abilities required for dynamic works.

     I.
     Videos for Commercial Use
(12/10/2021, Lecturer: Rex Hon.)
     II.
     Identity and Publicity
(19/10/2021, Lecturer:  Rex Hon.)
     III.
     Campaign Film
(26/10/2021, Lecturer: Rex Hon.)
     III.
     Advertising
(2/11/2021, Lecturer: Rex Hon.)
     IV.
     Program Packaging
(9/11/2021, Lecturer: Rex Hon.)
     V.
     Filming and Computer Graphic
(23/11/2021, Lecturer: Rex Hon.)
     VI.
     Video Production
(30/11/2021, Lecturer: Rex Hon.)
     VII.
     Multi-approach of Filming
(7/12/2021, Lecturer: Rex Hon.)
     VIII.
     Production Process
(4/12/2021, Lecturer: Rex Hon.)
     IX.
     Art Set
(21/12/2021, Lecturer: Rex Hon.)
     X.
     Motion Board
(28/12/2021, Lecturer: Rex Hon.)
     XI.
     Presentation: Storyboard
(16/1/2022, Lecturer: Rex Hon.)
     XII.
     Presentation: Style Frames and Motion Board
(4/1/2022, Lecturer: Rex Hon.)
     XIII.
     Film in Space
(11/1/2022, Lecturer:  Rex Hon.)
     XIV.
     Exhibition
(18/1/2022, Lecturer:  Rex Hon.)
5.
動態圖形與影像敘事
     統整觀念、技術、導演及編劇、美術、提案等,完成動態作品所需的多項能力。

     I.
     影像如何服務商業
(12/10/2021,洪鈺堂 授)
     II.
     動態識別與形象影片
(19/10/2021,洪鈺堂 授)
     III.
     宣傳片
(26/10/2021,洪鈺堂 授)
     II.
     廣告
(2/11/2021,洪鈺堂 授)
     IV.
     節目包裝
(9/11/2021,洪鈺堂 授)
     V.
     實拍與計算機動畫
(23/11/2021,洪鈺堂 授)
     VI.
     實拍流程與實務細節
(30/11/2021,洪鈺堂 授)
     VII.
     多重影像手法
(7/12/2021,洪鈺堂 授)
     VIII.
     動態影像流程
(4/12/2021,洪鈺堂 授)
     IX.
     美術設定
(21/12/2021,洪鈺堂 授)
     X.
     腳本
(28/12/2021,洪鈺堂 授)
     XI.
     創意提案
(16/1/2022,洪鈺堂 授)
     XII.
     設計提案
(4/1/2022,洪鈺堂 授)
     XIII.
     空間中的影像
(11/1/2022,洪鈺堂 授)
     XIV.
     課程成果發表
(18/1/2022,洪鈺堂 授)
6.
Critical Design, Speculative Design, Design Fiction
     This course takes Critical Design, Speculative Design and Design Fiction as the core of the system and explores the extraordinary definitions derived from the design and social evolution.

Introduction
     This unit outlines new design theories that affect the world, such as speculation, criticism, and illusion. It challenges the definition of design in the industrial era with a revolutionary manifesto and uses exhibition cases to demonstrate how design can arouse people's thinking.
     I.
     Speculative Design
(6/10/2021, Lecturer: Chiao.)
     II.
     Critical Design
(13/10/2021, Lecturer: Chiao.)
     III.
     Design Fiction
(20/10/2021, Lecturer: Chiao.)
     IV.
     Contour of Exhibition
(13/11/2021, Lecturer:  Chiao.)

Theme Exploration
     Questions about reality always come after understanding. This unit uses the lecturer's master's research project at California ArtCenter to guide students to dismantle topics from different dimensions, analyze what is known, and reconstruct reality from an open and multi-directional perspective.
     V.
     Discursive Design by Nations
(17/11/2021, Lecturer: Chiao.)
     VI.
     Worlds of Consumer Electronics
(24/11/2021, Lecturer: Chiao.)
     VII.
     Time Space
(18/12/2021, Lecturer: Chiao.)
     VIII.
     Social Structures
(15/12/2021, Lecturer: Chiao.)
     IX.
     Technological Myth
(29/12/2021, Lecturer: Chiao.)
     X.
     Real Boy
(5/1/2022, Lecturer: Chiao.)
     XI.
     Animism
(5/1/2022, Lecturer: Chiao.)

Implement
     XI.
     Areas of Interest
(27/10/2021, Lecturer: Chiao, Digital Medicine Lab.)
     XII.
     Topics & Research Materials
(10/11/2021, Lecturer: Chiao, Digital Medicine Lab.)
     XIII.
     Prototype Review
(22/12/2021, Lecturer: Chiao, Digital Medicine Lab.)
     XIV.
     Physical Prototype Review
(19/1/2022, Lecturer: Chiao. Digital Medicine Lab.)
6.
設計的批判、推測、幻想與虛構
     本課程以批判(Critical Design)、推測(Speculative Design)以及設幻設計(Design Fiction)為課程核心,探討設計隨同社會演化所衍生的非尋常定義。

導論
     此單元概述推測、批判、設幻等影響全球的設計新論,以革命宣言挑戰工業時期世界對設計的定義,並以展覽案例,演示設計如何喚起人們思想的能動性。
     I.
     推測設計
(6/10/2021,何樵暐 授)
     II.
     批判設計
(13/10/2021,何樵暐 授)
     III.
     設計幻象
(20/10/2021,何樵暐 授)
     IV.
     展覽的輪廓
(13/11/2021,何樵暐 授)

主題探索
     對現實的質疑總在理解之後。此單元以講師於加州 ArtCenter 的碩士研究課題,引導學員進行不同向度的主題拆解,以開放、多向性視角,解析已知,重新築構現實。
     V.
     設論與理想國
(17/11/2021,何樵暐 授)
     VI.
     CE 多重宙
(24/11/2021,何樵暐 授)
     VII.
     後異世界
(18/12/2021,何樵暐 授)
     VIII.
     平面社會結構手冊
(15/12/2021,何樵暐 授)
     IX.
     科技、神話、傳說與虛構
(29/12/2021,何樵暐 授)
     X.
     只要勇敢、誠實和無私,就能變成真正的小男孩
(5/1/2022,何樵暐 授)
     XI.
     泛靈論
(5/1/2022,何樵暐 授)

實作
     XI.
     探索關注領域
(27/10/2021 ,何樵暐、Digital Medicine Lab. 授)
     XII.
     課題與研究材料
(10/11/2021,何樵暐、Digital Medicine Lab. 授)
     XIII.
     概念模型
(22/12/2021,何樵暐、Digital Medicine Lab. 授)
     XIV.
     實體模型
(19/1/2022,何樵暐、Digital Medicine Lab. 授)
7.
Graphic Design as Creative Medium
     This course uses three units of :“Material and Context, Spatial Composition, and Mimicry” to gradually clarify the critical relationship between spirit and form in graphic creation to lay an in-depth and accessible creation method for students.

     I.
     Cultural Inheritance and Thought Colonization
(1/10/2021, Lecturer: Hsing-Kai Peng.)
In the first class, students will sort out the development and transformation of visual language, think about originality in the works, and the will behind various classic forms.

Material and Context
     This unit guides students to clarify the relationship between self and creative materials from life experience, derive “primordial” through “results”, explore their consciousness of viewing, understand choices in chaos, and find the foundation of creation.
     II.
     Deconstruction and Collection of Life Experience
(7/10/2021, Lecturer: Kayn-Ken Chen.)
     III.
     Subject and Object
(14/10/2021, Lecturer: Kayn-Ken Chen.)
     IV.
     Planned Collection
(21/10/2021, Lecturer: Kayn-Ken Chen.)
     V.
     Identity and Multidirectionality
(28/10/2021, Lecturer: Kayn-Ken Chen.)
     VI.
     Emotion and Image
(4/11/2021, Lecturer: Kayn-Ken Chen.)

Spatial Composition
     This unit uses mixed media to reconstruct students' understanding of three-dimensional space and reinterpret and perceive planes with three-dimensional experience.
     VII.
     Color of Space: Interpretation and Individual
(11/11/2021, Lecturer: Yaode JN.)
     VIII.
     Space Modeling and Sampling
(18/11/2021, Lecturer: Yaode JN.)
     IX.
     Projection and Composition
1. (25/11/2021, Lecturer: Yaode JN.)
2. (2/12/2021, Lecturer: Yaode JN.)
     X.
     Midterm Assessment
(9/12/2021, Lecturer: Yaode JN.)

Mimicry
     Through this unit, students will deconstruct the two-way metaphors between author and work, image and meaning, understand the symbolic nature of the form and style of design in society, and establish a self-identified visual communication pattern based on the principle of honesty.
     XI.
     Deconstruction of Styles and Forms
(16/12/2021, Lecturer: Hsing-Kai Peng.)
     XII.
     Worldview Setup
(23/12/2021, Lecturer: Hsing-Kai Peng.)
     XIII.
     Social Positioning and Language Strategy
(30/12/2021, Lecturer: Hsing-Kai Peng.)
     XIV.
     Practice: Context and Interpretation
1. (6/1/2022, Lecturer: Hsing-Kai Peng.)
2. (13/1/2022, Lecturer: Hsing-Kai Peng.)
     XV.
     Dialectics of Thought and Self-questioning
(20/1/2022, Lecturer: Hsing-Kai Peng.)
7.
平面設計作為創作媒介
     本課程以「材料與脈絡、空間構成、擬劇」三單元,逐步釐清平面創作中精神與形式的重要關係。

     I.
     導論:文化繼承與思想殖民
(1/10/2021,彭星凱 授)
第一堂課將為學員梳理視覺語言的發展與變形, 、思考原創性在作品中的存有,與各種經典形式背後隱含的意志。

材料與脈絡
     此單元引導學員從生命經驗釐清自我與創作材料的關係,透過「結果」推導「原初」,探索屬於自身的觀看意識,在混沌中理解選擇,尋找創作的根基。
     II.
     生命經驗採集
(7/10/2021,陳楷恩 授)
     III.
     主體與客體關係
(14/10/2021,陳楷恩 授)
     IV.
     計畫性採集
(21/10/2021,陳楷恩 授)
     V.
     同一性與多向性
(28/10/2021,陳楷恩 授)
     VI.
     情感脈絡與圖像脈絡
(4/11/2021,陳楷恩 授)

空間構成
     平面設計的極致,是以靜止二維使觀者產生時間與空間的想像。此單元透過複合媒材重建學員對立體空間的認識,以三維經驗重新解讀並感知平面。
     VII.
     色彩空間:詮釋與個人
(11/11/2021,Yaode JN 授)
     VIII.
     空間造型與取樣
(18/11/2021,Yaode JN 授)
     IX.
     三維投影與平面佈局
1. (25/11/2021,Yaode JN 授)
2. (2/12/2021,Yaode JN 授)
     X.
     評圖
(9/12/2021,Yaode JN 授)

擬劇
     學員將透過此單元,解構作者與作品、圖像與意義間的雙向隱喻,理解設計的形式與風格在社會中的象徵性,並以誠實為原則,建立自我認同的視覺溝通型態。
     XI.
     風格與形式拆解
(16/12/2021,彭星凱 授)
     XII.
     世界觀設定
(23/12/2021,彭星凱 授)
     XIII.
     社會定位和語言策略
(30/12/2021,彭星凱 授)
     XIV.
     實作:文本與詮釋權
1. (6/1/2022,彭星凱 授)
2. (13/1/2022,彭星凱 授)
     XV.
     思想辯證與自我詰問
(20/1/2022,彭星凱 授)
SS 2021
First Semester Curriculum 上半學年課綱
0.
The Core of The Graphic Design
     This course explores the picture based on objective theories to describe the causes of subjective feelings and provide a rational basis for the profession.

     I.
     Documentation of Sketches
(15/3/2021, Lecturer: Hsing-Kai Peng.)
Understand and observe, draw, and correct the methods of specific object modelling.
     II.
     Geometries and Shapes
(16/3/2021, Lecturer: Hsing-Kai Peng.)
Learn to train visual balance ability with abstract modelling and draw a logo blueprint.
     III.
     The Symbolic of the Graphics
(18/3/2021, Lecturer: Hsing-Kai Peng.)
Understand the information symbolized by the graphics, and simplify the shape reasonably.
     IV.
     Languages of Color
(22/3/2021, Lecturer: Hsing-Kai Peng.)
Understand basic colour theory and application case analysis, and understand the logic of colour matching.
     V.
     Aesthetic Fundamental Theory
(23/3/2021, Lecturer: Hsing-Kai Peng.)
Explain the objectivity of beauty; complete situational pictures with basic graphics.
     VI.
     Shapes of Type
(25/3/2021, Lecturer: Hsing-Kai Peng.)
Understand the structure of Chinese and English glyphs, write skeletons, and draw blueprints for artistic characters.
     VII.
     Composition and Visual Psychology
(29/3/2021, Lecturer: Hsing-Kai Peng.)
Learn to deconstruct the layout level and distinguish the functionality of the text in the layout.
     VIII.
     Unspeakable Language
(30/3/2021 , Lecturer: Hsing-Kai Peng.)
Understand the information symbolized by images, train perception and expression skills through collage
     IX.
     Photography and Image
(31/3/2021, Lecturer: Hsing-Kai Peng.)
Understand the interpretation of photography types, the methods of viewing and editing.
     X.
     Practice of Printing
(1/4/2021, Lecturer: Hsing-Kai Peng.)
Learn basic printing principles and instructions for finalization, and feel the influence of materials on design.
     XI.
     Final Assesment and Resources
(6/4/2021, Lecturer: Hsing-Kai Peng.)
Final proposal and image review exercise. And introduce extended reading and learning resources.
0.
平面設計的核心
     以客觀理論探索畫面,藉此描述主觀感受的視覺成因,為設計師的專業帶來理性根據。

     I.
     素描紀錄
(15/3/2021,彭星凱 授)
觀察、繪製、校正具體物件造型的方法。
     II.
     幾何圖學與造型原理
(16/3/2021,彭星凱 授)
以抽象造型訓練視覺平衡能力,繪製標誌的藍圖。
     III.
     圖形的象徵性
(18/3/2021,彭星凱 授)
理解圖形所象徵的情報,合理簡化造型。
     IV.
     色彩的語言
(22/3/2021,彭星凱 授)
基本色彩理論與應用案例解析,認識配色的邏輯。
     V.
     美學基礎理論
(23/3/2021,彭星凱 授)
解釋美的客觀性;以基本圖形完成具情境感的畫面
     VI.
     文字造型
(25/3/2021,彭星凱 授)
認識中、英文字形結構,書寫骨架,繪製美術字的藍圖。
     VII.
     版面構成與視覺心理
(29/3/2021,彭星凱 授)
解構版面層次,區分文字於版面中的功能性。
     VIII.
     非說的語言
(30/3/2021,彭星凱 授)
理解影像所象徵的情報,透過拼貼訓練感知與表達能力。
     IX.
     攝影技法與圖像應用
(31/3/2021,彭星凱 授)
攝影類型解釋,觀看與編輯的方法。
     X.
     印刷實務
(1/4/2021,彭星凱 授)
基本印刷原理與完稿須知,感受材質對設計的影響。
     XI.
     專題發表與學習資源
(6/4/2021,彭星凱 授)
提案與評圖練習;延伸閱讀及學習資源。
1.
Typography: From fundamental to experimental
     This course ranges from the visual principles of basic font typography, the practical application of text in brands, books, user interfaces, etc., to the possibility of experimenting with text typography.

     I.
     Typography Elementary: Letter Type
(13/4/2021, Lecturer: Joe Chang.)
     II.
     Typography Elementary: Word Line
(20/4/2021, Lecturer:  Joe Chang.)
     III.
     Typography Elementary: Column Layout
(27/4/2021, Lecturer: Joe Chang.)
     IV.
     Typography Elementary: Subtlety History
(4/5/2021, Lecturer: Joe Chang.)
     V.
     Typography Fundamental: Lettering workshop
(8/5/2021, Lecturer: Joe Chang.)
     VI.
     Typography Application: Typography through the Eras
1. (11/5/2021, Lecturer: Florence Fu.)
2. (15/6/2021, Lecturer: Florence Fu.)
     VII.
     Typography Application: Typography in Branding
1. (10/8/2021, Lecturer: Leo Huang.)
2. (17/8/2021, Lecturer: Leo Huang.)
     VIII.
     Typography Application: Typography in Book Magazine
1. (22/7/2021, Lecturer: Jiao Yu Sie.)
2. (29/7/2021, Lecturer: Jiao Yu Sie.)
     IX.
     Typography Application: Typography in UI Design Web
1. (6/7/2021, Lecturer: Jouhua Hsiang.)
2. (13/7/2021, Lecturer: Jouhua Hsiang.)
     X.
     Typography Application: Lettering workshop
(14/8/2021, Lecturer: Joe Chang.)
     XI.
     Typography Experiment: Experiment with Letterform
(3/8/2021, Lecturer: Joe Chang.)
     XII.
     Typography Experiment: Experiment with Layout
(7/9/2021, Lecturer: Chung-Yi Yeh.)
     XIII.
     Typography Experiment: Experiment with Media
(31/8/2021, Lecturer: Ting-an Ho.)
     XIV.
     Typography Experiment: Experiment with Texture
(24/8/2021, Lecturer: Andrew Wong.)
     XV.
     New craft typography workshop
(12/9/2021, Lecturer: Showshow Craft.)
1.
文字造型與排印
     從基礎字體排印的視覺準則,品牌、書籍、使用者介面等實用面的文字應用,到實驗文字排印的可能性。

     I.
     點
(13/4/2021,張軒豪 授)
     II.
     線
(20/4/2021,張軒豪 授)
     III.
     面
(27/4/2021,張軒豪 授)
     IV.
     細節與歷史
(4/5/2021,張軒豪 授)
     V.
     拉丁字母工作坊
(8/5/2021,張軒豪 授)
     VI.
     字體排印風格與時代演進
1. (11/5/2021,傅曦瑶 授)
2. (15/6/2021,傅曦瑶 授)
     VII.
     品牌設計應用字體排印
1. (10/8/2021,黃國瑜 授)
2. (17/8/2021,黃國瑜 授)
     VIII.
     書籍雜誌設計應用字體排印
1. (22/7/2021,謝喬伃 授)
2. (29/7/2021,謝喬伃 授)
     IX.
     UI與網頁設計應用字體排印
1. (6/7/2021,向柔樺 授)
2. (13/7/2021,向柔樺 授)
     X.
     漢字工作坊
(14/8/2021,張軒豪 授)
     XI.
     排印實驗: 字形
(3/8/2021,張軒豪 授)
     XII.
     排印實驗: 排版
(7/9/2021,葉忠宜 授)
     XIII.
     排印實驗: 媒體
(31/8/2021,何庭安 授)
     XIV.
     排印實驗: 材質
(24/8/2021,黃家賢 授)
     XV.
     新工藝文字排印工作坊
(12/9/2021,陳仲揚 授)
2.
Contemporary image and photography editing
     This course is through thematic seminars and editing practice in the two-dimensional and three-dimensional exhibition space. Experience the multiple particular narrative dimensions of images, the interlanguage of static and dynamic images, and the extensibility of image media. [1]

     I.
     Philosophical Thinking towards Image
1. (28/4/2021, Lecturer: Yi-Ting Chung.)
2. (15/9/2021, Lecturer: Yi-Ting Chung.)
Through group discussion, I will think about the various distortion and narrative possibilities of photography in contemporary image creation. First, through the literary text, the changes in photographic composition and self-reflection are carried out; then, the cultural theory text is used to explore the posture and movement of the image author and extend to the problem consciousness of image thinking.

     II.
     Introduction: Linear and Non-Linear Narrative
(7/4/2021, Lecturer: I–Hsuen Chen.)
     III.
     Editing Implementation: Photograph Editing
1. (5/5/2021, Lecturer: I–Hsuen Chen.)
2. (12/5/2021, Lecturer: I–Hsuen Chen.)
     IV.
     Strategy of Image Creating
1. (30/6/2021, Lecturer: I–Hsuen Chen.)
2. (7/7/2021, Lecturer: I–Hsuen Chen.)
     V.
     Era and Image, Daily and Object
(14/4/2021, Lecturer: Manbo Key.)
      VI.
     The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
(16/6/2021, Lecturer: Manbo Key.)
     VI.
     The Metaphorical Relationship between Films and Visuals
(30/6/2021, Lecturer: Manbo Key.)
     VII.
     The Impetus of Underground Culture and Contemporary Visual
(14/7/2021, Lecturer: Manbo Key.)
     VIII.
     Deconstruction and Discussion
(21/7/2021, Lecturer: Manbo Key.)
     IX.
     Time, Place, and Memory
(21/4/2021, Lecturer: Manbo Key.)
     X.
     Images Stories
1. (11/8/2021, Lecturer: Hsiang-Lin Wang.)
2. (18/8/2021, Lecturer: Hsiang-Lin Wang.)
     XI.
     Poet of Space
(8/9/2021, Lecturer: Hsiang-Lin Wang.)





[1] At the end of the course, students will use their images to complete a photo book in Indesign or hand-made.
2.
當代影像與攝影編輯
     透過專題研討與編輯實作,在平面與立體展演空間,體驗影像多重的敘事維度。[1]

     I.
     朝向影像的哲學思考
1. (28/4/2021,鍾易庭 授)
2. (15/9/2021,鍾易庭 授)
團體討論方式,思考攝影在當代影像創作的各種形式變貌與敘事可能。透過文學文本,開展攝影創作的變化與自身的反思;再以文化理論文本,探究影像作者的姿態與運動,並延伸至影像思考的問題意識。

     II.
     導論:線性與非線性敘事
(7/4/2021,陳以軒 授)
     III.
     編輯臺實作:攝影編輯
1. (5/5/2021,陳以軒 授)
2. (12/5/2021,陳以軒 授)
     IV.
     影像創作策略
1. (30/6/2021,陳以軒 授)
2. (7/7/2021,陳以軒 授)
     V.
     時代與影像,日常與物件
(14/4/2021,登曼波 授)
     VI.
     台灣電影脈絡與影像的隱喻關係
(16/6/2021,登曼波 授)
     VI.
     電影與影像的隱喻關係
(30/6/2021,登曼波 授)
     VII.
     地下文化與當代影像的推動力
(14/7/2021,登曼波 授)
     VIII.
     作品解構討論
(21/7/2021,登曼波 授)
     IX.
     時間、地方與記憶
(21/4/2021,王湘靈 授)
     X.
     圖像故事
1. (11/8/2021,王湘靈 授)
2. (18/8/2021,王湘靈 授)
     XI.
     空間詩學
(8/9/2021,王湘靈 授)





[1] 課程最終,將會用個人的影像創作,以數位或手作完成本攝影集。
3.
Awareness and Interpretation Experiment
     This course uses the irregularity of the perception structure and uses painting as the medium of expression. It invites professionals in music, performing arts, yoga, and curation to create various scenes that involve sensory experience, guide students to explore the quadrants of personal perception and expand their Visual expression vocabulary.

Abstract Sketch
     Examine how the stimulus and response affect the creator's reproduction of the experience, and challenge the existing cognitive models such as clarity, mode, integrity, and the present.
     I.
     Abstract Sketches
(8/4/2021, Lecturer: Yuehyueh Liu.)
     I.
     Abstract Collages
(22/4/2021, Lecturer: Yuehyueh Liu.)
     III.
     Motion Images
(29/4/2021, Lecturer: Yuehyueh Liu.)
     V.
     Interpretation of Cognitionss
(5/8/2021, Lecturer: Yuehyueh Liu.)
     V.
     Paint above Vision
(2/9/2021 Lecturer: Yuehyueh Liu.)

Translation and Interpretation
     This unit will use the body as the medium of spatial experience to return to the original and reconstruct the creator's feelings and understanding.
     VI.
     Interpretations of Sound
(15/4/2021, Lecturer: Yuehyueh Liu.)
     VII.
     Expression of Movements
(6/5/2021, Lecturer: Xiao-Gao Gao.)
     VIII.
     Depiction above Consciousness
(4/9/2021, Lecturer: Yuehyueh Liu.)
     X.
     Meditation: Spiritual Perceptions
(26/8/2021, Lecturer: Prasadini.)
     X.
     Depiction above Tactile
(9/9/2021, Lecturer: Yuehyueh Liu.)
     XI.
     Perception of Time
(19/8/2021, Lecturer: Chia-ming Wang.)

Exhibition Practice
     This unit will guide students to transform the abstract into the concrete, complete creative practice with exhibitions, and return to rationality by discussing, defining objects, and spatial organization. [2]
     XII.
     Final Producing
1. (15/7/2021, Lecturer: Yuehyueh Liu.)
2. (29/7/2021, Lecturer: Yuehyueh Liu.)
     XIII.
     Object and Space
1. (13/5/2021, Lecturer: Yuehyueh Liu.)
2. (12/8/2021, Lecturer: Yuehyueh Liu.)
     XIV.
     Discussion on Subtle States
(Lecturer: Yuehyueh Liu.)
     XV.
     Curation Introduction
(24/6/2021, Zoe Yeh.)
     X VI.
     Final Examination and Exhibition Curation
(16/9/2021, Lecturer:Yuehyueh Liu.)





[2] The works will be exhibited at the XueXue stage for 4 days.
3.
覺知與詮釋實驗
     運用感知結構的不規則性,以繪畫為表現媒介,營造介入感官經驗的各種現場。

抽象素描
     檢視「刺激」與「反應」如何影響創作者對經驗的再現,挑戰「明確、模式、完整、當下」等既有認知模式。
     I.
     多媒材直覺速寫
(8/4/2021,劉悅德 授)
     II.
     破壞式拼貼
(22/4/2021,劉悅德 授)
     III.
     動態與當下
(29/4/2021,劉悅德 授)
     IV.
     認知詮釋
(5/8/2021,劉悅德 授)
     V.
     盲畫
(2/9/2021,劉悅德 授)

轉譯與詮釋
     此單元將以身體作為空間經驗的媒介,回歸原初,重建創作者的感受與領悟。
     I.
     聲音形上描繪
(15/4/2021,劉悅德 授)
     VII.
     空間性覺知
(6/5/2021,高小糕 授)
     VIII.
     意識形上描繪
(4/9/2021,劉悅德 授)
     IX.
     心性覺知
(26/8/2021,Prasadini 授)
     X.
     觸覺形上描繪
(9/9/2021,劉悅德 授)
     XI.
     時間性覺知
(19/8/2021,王嘉明 授)

以展覽實踐
     此單元將引導學員轉化抽象為具體,以展覽完成創作實踐,藉由論述、定義物件、空間組織等課題回歸理性。[2]
     XII.
     期末展覽作品創作
1. (15/7/2021,劉悅德 授)
2. (29/7/2021,劉悅德 授)
     XIII.
     物件與場域關係
1. (13/5/2021,劉悅德 授)
2. (12/8/2021,劉悅德 授)
     XIV.
     感知狀態討論
(劉悅德 授)
     XV.
     策展概述
(24/6/2021,葉佳蓉 授)
     XVI.
     期末評鑑與展覽佈局
(16/9/2021,劉悅德)





[2] 作品將於 XueXue Stage 進行為期四天的展出。