EDUCATION
P.EON GRAPHIC ACADEMY
SS21 First Semester Curriculum
March 15–September 16, 2021
The first semester of 2021 focuses on the artistic development training of basic modelling and graphic design. By introducing visual discourse training from contemporary photography courses, students learn to perceive the relationship between images and life and then develop sensitivity toward abstractionism through learning Gutai techniques.
1.
ESSENCE OF GRAPHIC DESIGN (ELEMENTARY)
Mar 15–Apr 6, 2021
Planner: Hsing-Kai Peng.
I.
Documentation of Sketches
II.
Geometries and Shapes
III.
The Symbolic of the Graphics
IV.
Languages of Color
V.
Aesthetic Fundamental Theory
VI.
Shapes of Type
VII.
Composition and Visual Psychology
VIII.
Unspeakable Language
IX.
Photography and Image
X.
Practice of Printing
ESSENCE OF GRAPHIC DESIGN (ELEMENTARY)
Mar 15–Apr 6, 2021
Planner: Hsing-Kai Peng.
I.
Documentation of Sketches
II.
Geometries and Shapes
III.
The Symbolic of the Graphics
IV.
Languages of Color
V.
Aesthetic Fundamental Theory
VI.
Shapes of Type
VII.
Composition and Visual Psychology
VIII.
Unspeakable Language
IX.
Photography and Image
X.
Practice of Printing
2.
LETTER FORM AND TYPOGRAPHY
Apr 13–Sep 12, 2021
Convener and planner: Joe Chuang.
Lecturer: Joe Chuang, Laura (Jou-hua Hsiang), Florence Fu, Joy Hsieh, Chen-Chung Yang (Showshow Craft), Ting-An Ho, Andrew Wong, Yehchungyi, Leo Huang.
I.
Letter & Type
II.
Word & Line
III.
Column & Layout
IV.
Subtlety & History
V.
Typography through the Eras
VI.
Typography in Branding
VII.
Typography in Book & Magazine
VIII.
Typography in UI Design & Web
IX.
Experiment with Letterform
X.
Experiment with Layout
XI.
Experiment with Media
XII.
Experiment with Texture
XIII.
Lettering workshop (Latin)
XIV.
Lettering workshop (Chinese)
XV.
New Craft Typography Workshop
LETTER FORM AND TYPOGRAPHY
Apr 13–Sep 12, 2021
Convener and planner: Joe Chuang.
Lecturer: Joe Chuang, Laura (Jou-hua Hsiang), Florence Fu, Joy Hsieh, Chen-Chung Yang (Showshow Craft), Ting-An Ho, Andrew Wong, Yehchungyi, Leo Huang.
I.
Letter & Type
II.
Word & Line
III.
Column & Layout
IV.
Subtlety & History
V.
Typography through the Eras
VI.
Typography in Branding
VII.
Typography in Book & Magazine
VIII.
Typography in UI Design & Web
IX.
Experiment with Letterform
X.
Experiment with Layout
XI.
Experiment with Media
XII.
Experiment with Texture
XIII.
Lettering workshop (Latin)
XIV.
Lettering workshop (Chinese)
XV.
New Craft Typography Workshop
3.
CONTEMPORARY IMAGES AND PHOTOGRAPHY EDITING
Apr 7–Sep 15, 2021
Planner: Yi-Ting Zhong, Convener: Hsing-Kai Peng.
Lecturer: I-Hsuen Chen, Yi-Ting Zhong, Monbo Key, Hsiang-Lin Wang.
I.
Towards a Philosophy of Images
II.
Introduction: Linear and Non-Linear Narrative
III.
Editing Implementation: Photograph Editing
IV.
Strategy of Image Creating
V.
Era and Image, Daily and Object
VI.
The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
VII.
The Metaphorical Relationship between Films and Visuals
VIII.
The Impetus of Underground Culture and Contemporary Visual
IX.
Deconstruction and Discussion
X.
Time, Place, and Memory
XI.
Language of Images
XII.
Editing and Discussion
XII.
Poet of Space
CONTEMPORARY IMAGES AND PHOTOGRAPHY EDITING
Apr 7–Sep 15, 2021
Planner: Yi-Ting Zhong, Convener: Hsing-Kai Peng.
Lecturer: I-Hsuen Chen, Yi-Ting Zhong, Monbo Key, Hsiang-Lin Wang.
I.
Towards a Philosophy of Images
II.
Introduction: Linear and Non-Linear Narrative
III.
Editing Implementation: Photograph Editing
IV.
Strategy of Image Creating
V.
Era and Image, Daily and Object
VI.
The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
VII.
The Metaphorical Relationship between Films and Visuals
VIII.
The Impetus of Underground Culture and Contemporary Visual
IX.
Deconstruction and Discussion
X.
Time, Place, and Memory
XI.
Language of Images
XII.
Editing and Discussion
XII.
Poet of Space
4.
INSPIRATION OF SENSIBILITIES & EXPERIMENTAL INTERPRETATION
Apr 8–Sep 16, 2021
Convener and planner: YuehYueh Liu.
Lecture: YuehYueh Liu, Zoe Yeh, WANG Chia-ming, Prasadini, Gao Xiao Gao.
I.
Abstract Sketches
II.
Interpretations of Sound
III.
Abstract Collages
IV.
Expression of Movements
V.
Motion Images
VI.
Object and Space
VII.
Discussion on Subtle States
VIII.
Depiction above Consciousness
IX.
Interpretation of Cognitions
X.
Meditation - Spiritual Perceptions
XI.
Paint above Vision
XII.
Depiction above Tactile
XIII.
Perception of Time
XIV.
Final Producing
XV.
Curation Introduction
XVI.
Final Examination and Exhibition Curation
INSPIRATION OF SENSIBILITIES & EXPERIMENTAL INTERPRETATION
Apr 8–Sep 16, 2021
Convener and planner: YuehYueh Liu.
Lecture: YuehYueh Liu, Zoe Yeh, WANG Chia-ming, Prasadini, Gao Xiao Gao.
I.
Abstract Sketches
II.
Interpretations of Sound
III.
Abstract Collages
IV.
Expression of Movements
V.
Motion Images
VI.
Object and Space
VII.
Discussion on Subtle States
VIII.
Depiction above Consciousness
IX.
Interpretation of Cognitions
X.
Meditation - Spiritual Perceptions
XI.
Paint above Vision
XII.
Depiction above Tactile
XIII.
Perception of Time
XIV.
Final Producing
XV.
Curation Introduction
XVI.
Final Examination and Exhibition Curation
5.
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
Jul 1–Sep 2, 2022
Convener and planner: Hsing-Kai Peng.
Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen, Mist Room, Paixpro, Sample Animal, Ting-An Ho, Huai-An Hsing.
I.
Cultural Inheritance and Thought Colonization
II.
Philosophical Aesthetics of Graphic Design
III.
Context of Form 1. Digital Experience Integration of Graphic Design
IV.
Context of Form 2. Sense of Light
V.
Context of Form 3. Observe & Resonate
VI.
Context of Form 4. Trace
VII.
Context of Form 5. Ephemerality
IX.
Deconstruction and Collection of Life Experience
X.
Subject and Object
XI.
Planned Collection
XII.
Identity and Multidirectionality
XIII.
Emotion and Image
XIV.
Color of Space–
Interpretation and Individual
XV.
Space Modeling and Sampling
XVI.
Projection and Composition
XVII.
Midterm Assessment
XVIII.
Deconstruction of Styles and Forms
XIX.
Worldview Setup
XX.
Social Positioning and Language Strategy
XXI.
Practice: Context and Interpretation
XXII.
Dialectics of Thought and Self-questioning
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
Jul 1–Sep 2, 2022
Convener and planner: Hsing-Kai Peng.
Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen, Mist Room, Paixpro, Sample Animal, Ting-An Ho, Huai-An Hsing.
I.
Cultural Inheritance and Thought Colonization
II.
Philosophical Aesthetics of Graphic Design
III.
Context of Form 1. Digital Experience Integration of Graphic Design
IV.
Context of Form 2. Sense of Light
V.
Context of Form 3. Observe & Resonate
VI.
Context of Form 4. Trace
VII.
Context of Form 5. Ephemerality
IX.
Deconstruction and Collection of Life Experience
X.
Subject and Object
XI.
Planned Collection
XII.
Identity and Multidirectionality
XIII.
Emotion and Image
XIV.
Color of Space–
Interpretation and Individual
XV.
Space Modeling and Sampling
XVI.
Projection and Composition
XVII.
Midterm Assessment
XVIII.
Deconstruction of Styles and Forms
XIX.
Worldview Setup
XX.
Social Positioning and Language Strategy
XXI.
Practice: Context and Interpretation
XXII.
Dialectics of Thought and Self-questioning
View FW21 Second Semester Curriculum
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Website designed and developed by Yaode JN︎︎︎. Running on Cargo︎︎︎.
Copyright © 2022 Taipei Art Direction & Design Assoc. All rights reserved.
Website designed and developed by Yaode JN︎︎︎. Running on Cargo︎︎︎
Website designed and developed by Yaode JN︎︎︎. Running on Cargo︎︎︎