EDUCATION

P.EON GRAPHIC ACADEMY


SS21 First Semester Curriculum


March 15–September 16, 2021

In the first semester of 2021, the course focuses on the artistic development training of basic modeling and graphic design, and uses contemporary photography course to organize the structure of visual narrative, feel the relationship between images and life experience for students, then use concrete painting as a method to activate students' sensitivity to abstract awareness.

1.
ESSENCE OF GRAPHIC DESIGN (ELEMENTARY)
    Mar 15–Apr 6, 2021
    Planner: Hsing-Kai Peng.
    I.
    Documentation of Sketches
    II.
    Geometries and Shapes
    III.
    The Symbolic of the Graphics
    IV.
    Languages of Color
    V.
    Aesthetic Fundamental Theory
    VI.
    Shapes of Type
    VII.
    Composition and Visual Psychology
    VIII.
    Unspeakable Language
    IX.
    Photography and Image
    X.
    Practice of Printing
2.
LETTER FORM AND TYPOGRAPHY
    Apr 13–Sep 12, 2021
    Convener and planner: Joe Chuang.
    Lecturer: Joe Chuang, Laura (Jou-hua Hsiang), Florence Fu, Joy Hsieh, Chen-Chung Yang (Showshow Craft), Ting-An Ho, Andrew Wong, Yehchungyi, Leo Huang.
    I.
    Letter & Type
    II.
    Word & Line
    III.
    Column & Layout
    IV.
    Subtlety & History
    V.
    Typography through the Eras
    VI.
    Typography in Branding
    VII.
    Typography in Book & Magazine
    VIII.
    Typography in UI Design & Web
    IX.
    Experiment with Letterform
    X.
    Experiment with Layout
    XI.
    Experiment with Media
    XII.
    Experiment with Texture
    XIII.
    Lettering workshop (Latin)
    XIV.
    Lettering workshop (Chinese)
    XV.
    New Craft Typography Workshop

3.
CONTEMPORARY IMAGES AND PHOTOGRAPHY EDITING
    Apr 7–Sep 15, 2021
    Planner: Yi-Ting Zhong, Convener: Hsing-Kai Peng.
    Lecturer: I-Hsuen Chen, Yi-Ting Zhong, Monbo Key, Hsiang-Lin Wang.
    I.
    Towards a Philosophy of Images
    II.
    Introduction: Linear and Non-Linear Narrative
    III.
    Editing Implementation: Photograph Editing
    IV.
    Strategy of Image Creating
    V.
    Era and Image, Daily and Object
    VI.
    The Metaphorical Relationship between the Context of Taiwanese Films and Visuals
    VII.
    The Metaphorical Relationship between Films and Visuals
    VIII.
    The Impetus of Underground Culture and Contemporary Visual
    IX.
    Deconstruction and Discussion
    X.
    Time, Place, and Memory
    XI.
    Language of Images
    XII.
    Editing and Discussion
    XII.
    Poet of Space
4.
INSPIRATION OF SENSIBILITIES & EXPERIMENTAL INTERPRETATION
     Apr 8–Sep 16, 2021
    Convener and planner: YuehYueh Liu.
    Lecture: YuehYueh Liu, Zoe Yeh, WANG Chia-ming, Prasadini, Gao Xiao Gao.
    I.
    Abstract Sketches
    II.
    Interpretations of Sound
    III.
    Abstract Collages
    IV.
    Expression of Movements
    V.
    Motion Images
    VI.
    Object and Space
    VII.
    Discussion on Subtle States
    VIII.
    Depiction above Consciousness
    IX.
    Interpretation of Cognitions
    X.
    Meditation - Spiritual Perceptions
    XI.
    Paint above Vision
    XII.
    Depiction above Tactile
    XIII.
    Perception of Time
    XIV.
    Final Producing
    XV.
    Curation Introduction
    XVI.
    Final Examination and Exhibition Curation

5.
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
    Jul 1–Sep 2, 2022
    Convener and planner: Hsing-Kai Peng.
    Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen, Mist Room, Paixpro, Sample Animal, Ting-An Ho, Huai-An Hsing.
    I.
    Cultural Inheritance and Thought Colonization
    II.
    Philosophical Aesthetics of Graphic Design
    III.
    Context of Form 1. Digital Experience Integration of Graphic Design
    IV.
    Context of Form 2. Sense of Light
    V.
    Context of Form 3. Observe & Resonate
    VI.
    Context of Form 4. Trace
    VII.
    Context of Form 5. Ephemerality
    IX.
    Deconstruction and Collection of Life Experience
    X.
    Subject and Object
    XI.
    Planned Collection
    XII.
    Identity and Multidirectionality
    XIII.
    Emotion and Image
    XIV.
    Color of Space–
Interpretation and Individual
    XV.
    Space Modeling and Sampling
    XVI.
    Projection and Composition
    XVII.
    Midterm Assessment
    XVIII.
    Deconstruction of Styles and Forms
    XIX.
    Worldview Setup
    XX.
    Social Positioning and Language Strategy
    XXI.
    Practice: Context and Interpretation
    XXII.
    Dialectics of Thought and Self-questioning

View FW21 Second Semester Curriculum

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