CONTEMPORARY PHENOMENON OF MESSAGES

當代訊息現象

This series takes focuses on the awareness and questions of contemporary information phenomena. First, through the proposition of How to receive images and create messages, workers in various fields are invited to disassemble their own construction experience and find out the current technology under the established field classification. , How to get along in the media world. Then World contemporary graphic design returned to the visual form of discussion language, from visual communication cases from Taiwan, South Korea and European countries, and then discussed how the issues and content of the comparison between local and other countries could affect the output of information.

本系列以當代訊息現象的覺知與疑問為題,透過「如何接收影像 製作訊息」命題邀集各領域的工作者拆解自身建構經驗,嘗試在既定的領域分類下,找出與當下科技、媒介世界的相處之道。而後「世界當代平面設計」,回歸討論語言的視覺形式,從自臺灣、南韓與歐陸國家的視覺溝通案例,進而探討比對本地與他國觀照的議題與內容,如何影響訊息的產出。

21/4/2021
No More Masters In The Contemporary Era: The Decentralized Collective Creation 當代再無大師:去中心化的集體創造
HOW TO RECEIVE IMAGES AND CREATE MESSAGES 如何接收影像 製作訊息
19/5/2021
I. Take Paper As Medium As an Example I. 以紙本物件為例
16/6/2021
II. Take Artistic Creation As an Example II. 以藝術實踐為例

PICTORIAL ART

圖像藝術

This series focuses on the field of Pictorial Art. Visual workers and philosophical speakers analyze the core issues of Pictorial Ar or discuss the current situation of the current environment, sort out recent questions about graphic art, and explore possible future paths.

本系列專注於圖像藝術領域,透過視覺工作者與哲學專業講者,分析圖像藝術的核心問題或討論當下環境現況,並從中梳理當代對圖形藝術的疑問,以及對未來分析出可能的路徑。
11/11/2020
The Authenticity of Contemporary Photography 當代攝影的本真性
2/12/2020
The Aesthetics of Graphic Art 圖像藝術的審美
5/12/2020
Confusion of Contemporary Images 當代影像困惑
“Creativity and mental disorders are often closely related, and genius and madness are a fine line between... sometimes they feel inspired or ecstatic, and sometimes their understanding is meaningless to others.”

This dialogue in the TV series The Queen’s Gambit reminds us of the confusion brought about by contemporary art. Is art an existential nihility, a misunderstanding of the author, or a message blocking the threshold of awareness? In this talks, Yc Chen, with art workers I–Hsuen Chen and Yo Yang, discussed the narrative structure of contemporary photography and video and the impact of social pulsation on visual culture.
「創意和思覺失調往往息息相關,而天才與瘋狂是一線之隔⋯⋯有時他們會感受到啟發或狂喜,有時他們的領悟對其他人是無意義的。」

影集《后翼棄兵》中這段對話,令我們聯想到當代藝術帶來的困惑。藝術是實存的虛無、是作者的誤會、或是阻隔著覺察門檻的訊息?本場講座由朋丁 依秋,與藝術工作者 陳以軒、楊雅淳,討論了當代攝影和影像的敘事結構,以及社會脈動對視覺文化的影響。
I–Hsuen Chen. Board Landscape.