EDUCATION

P.EON GRAPHIC ACADEMY


FW21 Second Semester Curriculum


September 22, 2021–January 20, 2022

The 2021 second semester course challenges the boundaries of industry principles and free creativity, emphasizing how personal characteristics can be applied to projects with a clear communication purpose, and imagines society as an expansive “realistic theatre”, deconstructing the performance nature of design work, thereby clarifying and reconstructing the persona of the self.

5.
COLORS AND GRAPHICS (INTERMEDIATE)
    Sep 22–Oct 2, 2021
    Planner: Paixpro.
    I.
    Colors
    II.
    Graphics
    III.
    Visual Communication workshop
6.
NARRITIVES OF MOTION
    Oct 5 2021–Jan 25, 2022
    Planner: Rex Hon.
    I.
    Images Narratives
    II.
    Commercial Motion Graphic: Identity & Branding, Promoting, Advertising
    III.
    Moving Images: Filming & Script & Art Setting
    IV.
    New Media: AR, VR, Multi-medium
    V.
    How viewers approach the content via images
    VI.
    The way of viewing in the new media era
    VII.
    Pitch an idea

7.
THE CRITIQUE, SPECULATION, IMAGINATXVIION ,AND ILLUSION OF DESIGN
    Sep 15–Jan 5, 2022
    Planner: Chiao-Wei Ho.
    I.
    Speculative Design
    II.
    Critical Design
    III.
    Design Fiction
    IV.
    Areas of Interest
    V.
    Contour of Exhibition
    VI.
    Topics & Research Materials
    VII.
    Discursive Design by Nations
    IX.
    Worlds of Consumer Electronics
    X.
    Science Fair
    XI.
    Time & Space
    XII.
    Social Structures
    XIII.
    Prototype Review
    XIV.
    Technological Myth
    XV.
    Real Boy
    XVI.
    Animism
    XVII.
    Physical Prototype Review
    XVIII.
    Demo or Die
8.
GRAPHIC DESIGN AS CREATIVE METHOD (ADVANCED)
    Oct 1–Jan 20, 2022
    Convener and planner: Hsing-Kai Peng.
    Lecturer: Yaode JN, Hsing-Kai Peng, Kayn Chen.
    I.
    Cultural Inheritance and Thought Colonization
    II.
    Deconstruction and Collection of Life Experience
    III.
    Subject and Object
    IV.
    Planned Collection
    V.
    Identity and Multidirectionality
    VI.
    Emotion and Image
    VII.
    Color of Space–Interpretation and Individual
    IX.
    Space Modeling and Sampling
    X.
    Projection and Composition
    XI.
    Midterm Assessment
    XII.
    Deconstruction of Styles and Forms
    XIII.
    Worldview Setup
    XIV.
    Social Positioning and Language Strategy
    XV.
    Practice: Context and Interpretation
    XVI.
    Dialectics of Thought and Self-questioning

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